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This portrait of a young woman embodies the distinctive expression and resplendent detail of Nicholas Hilliard’s miniature paintings from the late Elizabethan period. The sitter’s unbound hair and her shimmery red silk gown, trimmed in a silver and velvety blue background, showcase the painter’s ability to capture an array of textures and minute details—the scale of which required a fine pointed brush composed of soft squirrel hairs. . A fair amount is known about sixteenth-century miniature painting, or “limning,” due to Hilliard’s own writing on the subject, a sort of how-to guide entitled “Treatise on the Art of Limning” (ca. 1600). Although Hilliard’s writing gives a clear account of his craft, technical study of his #miniatures reveal a great deal more, like how strictly he adhered to his own advice about using “the finest and purest colours.” . Recent analysis of this work using macro X-ray fluorescence scanning (MA-XRF) highlights the precision with which Hilliard applied paint. Each scan shows a map of where elements like gold, silver, and copper exist in the miniature. The vibrant blue behind the unknown “lady” sends a strong signal for copper, which corresponds to the costly pigment #azurite (shown in blue). One can see how crisply the blue pigment was applied along the contours of the sitter’s sleeves and the thicker locks of hair, leaving an empty space for those passages. Among the final details added to the portrait were subtle touches of ground gold leaf, called shell gold, on the woman’s earring and along the oval edge of the vellum support. . MA-XRF analysis was conducted by Richard Hark, conservation scientist @yaleipch; technical study and photo details by #conservator Polly Saltmarsh. . Images: #NicholasHilliard, “Portrait of a Lady,” 1600–15, watercolor and gouache on vellum laid onto card, #Yale Center for British Art, Paul Mellon Collection; Detail of the sitter’s left eye; MA-XRF scan showing silver; MA-XRF scan showing copper; Strands of hair—some left in reserve when azurite was applied; MA-XRF scan showing gold on the sitter’s earring and outer edge of the oval . #YCBA #MiniatureMonday - @yalebritishart on Instagram

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- Roman mosaic excavated from the ancient Roman city of Volubilis, in the modern Morocco, showing a Berber man hunting geese. [1080X1326]

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How powerless an emperor Bahadur Shah Zafar was! The Mughal Empire was in a continuous state of decline ever since Aurangzebs death. By the time Bahadur Shah Zafar became the Emperor, his real authority existed only within the walls of the Red Fort. The British Resident (representative of Governor General to the Palace), Sir Thomas Metcalfe, kept a firm eye on Zafar’s daily life and frequently forbade him from exercising rights that the Emperor regarded as sacrosanct. No nobleman from outside Delhi could enter the Red Fort without Metcalfe’s permission. To enforce his right to rent from his own lands, Zafar had to make an application to the British courts. He could not present gems from the crown jewels even to his own family members without first informing the Resident, and was occasionally, humiliatingly, made to ask for the return of unauthorised gifts if the agent came to hear about them. Zafar could not gift khilats (robes of honour, symbols of overlordship) on noblemen from outside the Delhi without Metcalfe’s say-so: when Raja Gulab Singh of Kollesur paid a visit to the court, presenting a nazr (or offering of fealty) of ‘a horse and 7 gold mohurs’, in return for which Zafar gave him a khilat, Metcalfe promptly made the Raja return it. A petition was received from Mirza Shoojat Shah stating that a chief had arrived and was desirous of visiting the Palace. Zafar replied that without the Agent’s permission no chief of a foreign territory could be allowed entrance. Zafar had once written: Ya mujhe afsar-e-shahana banaya hota Ya mera Taj gadayana banaya hota (Either you should have made me a royal officer Or you should have given me a crown like a beggars bowl) Source: The Last Mughal by William Dalrymple Image: Illustrated Times London #mughal #Delhigram #delhi6 #delhiwale #WahhIndia #olddelhi #dildilli #delhidiaries #storiesofindia #delhi #history #heritage #vintage #storytelling #storyteller #story #mughalhistory #mughalempire - @stories.from.history_ on Instagram

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𝐇𝐎𝐖 𝐓𝐎 𝐋𝐎𝐕𝐄 𝐁𝐈𝐆 & 𝐓𝐀𝐊𝐄 𝐍𝐎 𝐒𝐇𝐈𝐓⠀⠀⠀⠀⠀⠀⠀⠀⠀ We call to our sisters around the world to focus our energy on breaking the chains of codependency & compliance by turning inward to take an honest moral assessment. We invite us all to courageously look within to see where we are sacrificing our truth by shying away from confrontation for the sake of “love, light, and harmony” while hidden in the depths of our being, locked away in the basement, is genuine grief and outrage. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Globally, we are at a time when issues of inequality, income disparity, oppression, racism, climate change, and sexism are at the forefront of our conversations as a human family. We are trying to course-correct, and that’s no simple task. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ We are all so dependent on one another and our patterns of relating run very deep. Our need for human connection, family, and belonging is a beautiful and holy need, yet due to the massive imbalances in our world, we are codependent with systems that ultimately are harmful to our personal and collective wellbeing. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ The good news is that we are in a period of shifting from codependency and the “power-over” paradigm to an interdependent and “power-with” paradigm. Even though this shift is messy and uncomfortable, we are doing powerful shadow work which will create more freedom and harmony for future generations. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ It begins with you. We can talk about the macro world systems all day. We can talk about the damage of colonialism or capitalism, and we can talk about everything that is wrong with our world, but that’s not where the deeper, more impactful work exists. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ The work is within you. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ It’s time to understand where your patterns, desires, morals, dreams, and fears come from. It’s time to liberate yourself from your compliance and belief in that which is no longer serving your evolution and spiritual expansion. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ This is what Global Sisterhood is ALL ABOUT, so stay tuned for a special invitation... - @theglobalsisterhood on Instagram

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Om Namo Venkateshaya . . . 💚💚💚💚💚💚💚💚💚💚 💙💙💙💙💙💙💙💙💙💙 🙏 Sri Govinda Narayana 🙏 💜💜💜💜💜💜💜💜💜💜 ♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️ . . #balaji #hari #srinivasa #venkateswara #omnamovenkateshaya #govinda #govind #govindagovinda #srivenkateshwara #tirumala #narayana #radhekrishna #radheshyam #radhe #radharani #RadhaKrishna #radheradhe #radhekrishnaworld #Krishna #krishnaradha #krishnalove #krishnamurti #iskcon #iskconmandir #iskcondarshan #iskconworld #iskconworld #iskconvrindavan #harekrishna #hareramaharekrishna #tirupatitimes - @tirupatitimes on Instagram

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- Ancient Greek diadem from Pontika (now in Ukraine), in the form of a reef knot. Also known as the marriage-knot or knot of Hercules. 300BC. Gold, garnet, carnelian, sardonyx. [1134 x 1149]

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Bridging Europe and Asia,Turkey is one of the world’s oldest wine countries🗿.The first archaeological evidence of viticulture and wine making in Anataolia (Central Turkey) dates back 7.000 years.📜 This long history of wine making ends up with a diverse gene pool of grapes, with more than 800 indigenous varieties🧿Since the beginning of the 14th century and during most of the Ottoman Empire, Turkey maintained a strong wine trade and was a major exporter to its colonies.⁠ .⁠ .⁠ .⁠ .⁠ .⁠ .⁠ .⁠ .⁠ #Turkishwine #winehistory #vinana #ancientwine #redwine #winemaking #anatolia #factsaboutturkishwine #historyofthewine #ancient #ottomanempire - @_.vinana._ on Instagram

- Mother and Fighter, published by General Union of Palestinian Women. (c. 1978)

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रावलजी बुधसिंघजी , बारस क्रिसन वैसाख । सतरे सो चौसठ संमत , बेठे पाट दे लाख ।। ⚔️🛡️⚔️ महारावल जसवंत सिंह की मृत्यु के पश्चात उनका पौत्र बुध सिंह अल्पायु में जैसलमेर की गद्दी पर आसीन हुए , महारावल बुध सिंह का शासनकाल सन् 1707 से 1720 ईंस्वी तक रहा । #royal_jaisalmer_ #jaisalmerfort #jaisalmer #jaisalmerriyasat #maharawal #jesano #rajputsproud #rajasthantourism #kingofjaisalmer #jerat #bhatidynasty #bhati #rajput #rajputana #oldphoto #riyasat #marwad #desart #goldencity #jaisalmerauniqueheritage #jvphotography #uttarbhadkivadbhati #chandravanshi #yaduvanshi #chatralayadavpati - @royal_jaisalmer_ on Instagram

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- Exquisite Sri Lankan ivory chest with relief of legislation from King Bhuvanaikabahu VII of Kotte to King John III of Portugal, currently at the treasury residence, Munich (5040x3568)

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On this day, 28 September, 1837, the last Mughal, Bahadur Shah Zafar ascended the throne and became the Emperor at the age of 62 after the death of his father Akbar Shah-II. Cr : @mughal_imperial_archives & @royal_mughals - @medievalindianhistory on Instagram

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- ancient Egyptian artifacts

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- King Robert the Bruce! My ancestor!

- The Fatal Crown

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- Giovanni Boccaccio

- art - Boris Indrikov

- 1130s

- Henry VII

- 14th century | 1301-1400

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- ART

- Greece pictures

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- English Monarchs

- Kingdom of Navarre

- Alphonse Mucha

- 17. mai - Folkore fashion, bunader, folk costumes

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- A Palestinian woman from Ramallah in traditional dress in 1927.

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- To continue the theme of female personifications of countries: Mother Svea, shieldmaiden and patriotic symbol of Sweden. Postcard, year unknown.

- Mahavatar babaji

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