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« Si ces derniers mois ont connu des horizons rabattus, l’exposition Turner du musée Jacquemart-André, pour relativement ramassée qu’elle est – dix peintures et une soixantaine d’aquarelles venues de la Tate sur les milliers de travaux sur papier qu’a laissés le Britannique –, dessille largement. » L’article « Turner, voir le feu » de Tom Laurent sur l’exposition Turner. Peintures et aquarelle, collection de la @tate au musée @jacquemartandre est à découvrir dans le numéro 93 de la revue Art Absolument, disponible en kiosque et chez votre marchand de journaux. Turner. Peintures et aquarelles, collection de la Tate. Musée Jacquemart-André, Paris. Du 26 mai 2020 au 11 janvier 2021 Crédits: J. M. W. Turner, Venise : vue sur la lagune au coucher du soleil, 1840, aquarelle sur papier, 24,4 x 30,4 cm Tate, Photo © Tate #artcontemporain #artabsolument #turner #jacquemartandre #exhibition #tate - @artabsolument on Instagram
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‘I put a fire or a setting sun on the horizon… I wanted a clear ambiguity because this was the tranquil scene for the subsequent violence. It’s along the Goulburn River. That muddy, opaque quality of the dam is very Australian; muddy under the serene, clear blue sky’ - Sidney Nolan Text © National Gallery of Australia, Canberra 📸Sidney Nolan, Landscape , 1947, from the Ned Kelly series, enamel on composition board, National Gallery of Australia Collection, Gift of Sunday Reed, 1977, © National Gallery of Australia Sidney Nolan’s Ned Kelly series A National Gallery of Australia Exhibition #SidneyNolan #NedKellySeries #IconicArt #NationalGalleryofAustralia #NationalCollection - @cairnsartgallery on Instagram
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This view of London from around 1600 is one of very few surviving paintings to give a generalised view over the City. It was drawn from the church tower of St Mary Overy (now Southwark Cathedral), which was a popular viewpoint for artists depicting the city. The vista is not topographically accurate, and has been compressed to include various landmarks. Starting at the left, we can see Whitehall, and prominently towards the right of the centre we can see Old London Bridge. Built between 1176 and 1209, it was the first stone bridge to cross the Thames. At that time, it was surmounted by houses, shops and a chapel, and its gatehouse on the Southwark side was regularly adorned with the severed heads of traitors, as can be seen here. The houses were removed and the bridge widened in the late 18th century before it was finally demolished in 1831. To the far right, we can see the river bend. The artist is unknown, but likely to be from the Netherlands. The piece relates to a print by Clement de Jongh ( fl. 1640-70) and has been tentatively dated by means of technical analysis of the panel to 1625-1655. - @museumoflondon on Instagram
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- The Laundress, Henri de Toulouse-Lautrec, Oil on canvas, 1886
Happy #FirstDayofFall! 🍂🍁 Who else is loving this weather? 🙌 We are celebrating with Claude Monet’s “Autumn on the Seine, Argenteuil.” Monet executed this painting of the Seine near Argenteuil, northwest of Paris, shortly after his arrival there in 1871—likely from the small boat he had converted into a floating studio. He included the Château Michelet and other recognizable architectural landmarks. The small, delicate brushstrokes identify this work as belonging to the “high” phase of Impressionism. The brilliant colors of Monet’s landscape are mirrored in the water below, resulting in a remarkable symmetry that makes it difficult to distinguish between the reflections and their sources. #highmuseumathome⠀ ⠀ Claude Monet (French, 1840–1926). Autumn on the Seine, Argenteuil. 1873. Oil on canvas. - @highmuseumofart on Instagram
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Paul Chabass, September Morning (1912) - @arteaitempideisocialnetwork on Instagram
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Russell Chatham, 1937 - 2019. - @gsftz on Instagram
